399512 摄影师(电影、电视或录像)camera operator (film, television or video)


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ANZSCO 399512 摄影师(电影、电视或录像) Camera Operator (Film, Television or Video) - FLYabroad

399512 摄影师(电影、电视或录像)职业描述 Job description - FLYabroad

设置和操作摄影机来进行场景拍摄。

Sets up and operates cameras to photograph scenes for film, television or video productions.

Previously referred to in ASCO as:
4992-13 Camera Operator (Film, Television or Video)

399512 摄影师(电影、电视或录像)职位别名 - FLYabroad

  • 399512 调焦员(电影) Focus Puller (Film) (S)

399512 摄影师(电影、电视或录像)技术等级 Skill level - FLYabroad

399512 摄影师(电影、电视或录像)所属职业列表 - FLYabroad

399512 摄影师(电影、电视或录像)澳洲技术移民职业评估 Skills assessment authority - FLYabroad

  • TRA - 澳大利亚职业技术认证中心 Trades Recognition Australia:大陆技术移民申请的绝大部分职业都是通过该类别评估。TRA移民技术评估类别申请的条件为具有澳洲要提名职业相对等的资格(一般是AQFIII,IV或 Diploma),至少3年的全职提名职业作经验,近2年内至少1年全职带薪提名职业工作经验。对于在获得等同AQF相关资质之前的工作要获得认可的话,需之前至少5年提名职业或者提名职业相关全职工作经验。TRA类别评估周期60工作日,评估费用300澳币,不支持信用卡。

399512 摄影师(电影、电视或录像)州担保情况 - FLYabroad

399512 摄影师(电影、电视或录像)新西兰技术移民紧缺职业加分要求 - FLYabroad

  • 不属于新西兰绝对紧缺职业

399512 摄影师(电影、电视或录像)执业注册要求(不代表移民要求) - FLYabroad

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ANZSCO 3995 演艺人员 PERFORMING ARTS TECHNICIANS - FLYabroad
20190311 - 澳大利亚技术移民最新短期职业列表(STSOL)
2018年11月29日生效的最新 ACT 190 州担保职业清单
SA 2018-19 年度南澳补充技能列表 - Supplementary Skilled List
2017年澳洲技术移民职业清单大调整,申请190州担保的 CSOL 职业由短期职业类别 STSOL取代
2019年3月12日最新发布!澳洲堪培拉ACT职业清单更新 !
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399512A 收入图示(Earnings) - 飞出国

399512A 职业全职从业者税前周薪比例(Income Range Per Week - Before tax)

Income of persons working full-time

399512A 职业全职与兼职从业者税前周薪比较(Income Based On Employment Status Per Week - Before tax)

Earnings of persons working full- and part-time

数据来源: abs.gov.aumyfuture.edu.au

本文由飞出国(FLYabroad @Copyright)独家整理完成,请尊重知识产权,不要以任何形式散布和传播。

What’s it like to be a Film and Television Camera Operator?

Film and television camera operators set up, position and operate equipment in
studios or on location to photograph or record people, events and scenes. Film
camera operators use 16 mm and 35 mm film cameras or digital video for motion
pictures, whereas television and video camera operators use cine-electronic
television or digital video and video cameras for direct telecast and
recording.

Film and television camera operators work as part of a team and are often
required to work long and irregular hours, including nights and weekends. They
may need to travel to remote areas. Work can take place indoors and outdoors.

How much can I expect to earn?

Full-time employed Film and Television Camera Operator earn an average of
$1509 per week. The [average annual salary for this job is $78468 excluding su
per.]

Personal requirements

  • able to accept direction
  • highly organised
  • attention to detail
  • patient
  • able to work under pressure
  • good communication skills
  • creativity
  • able to work as part of a team.

This job also involves:

Full use of hands/fingers

Use of precision or semi-precision tools or instruments or deft hand movements
are required for these occupations. Included are jobs where poor co-ordination
or incomplete use of hands or fingers may make tasks dangerous or difficult to
undertake.

Good vision for detail

These jobs require you to be able to see clearly to examine items close-up. It
covers jobs where poor vision e.g. tunnel vision, could make the work place
unsafe or the job difficult to undertake, e.g. draftsperson working with
detailed drawings; checkout operator reading dockets; work requiring good
hand-eye co-ordination for working with precision or semi-precision tools.

Reading or writing

These jobs require moderate or better reading and writing skills. Workers may
be expected to prepare, understand or act on written materials, such as
letters or reports. People may wish to avoid these jobs if their reading or
writing English skills are limited to a small range of words or phrases and
symbols. Jobs remaining may still require very basic reading or writing
skills.

Standing for long periods

The main duties and tasks involved in these jobs are usually performed
standing up for periods of at least two hours at a stretch.

This occupation offers jobs at the following skill levels:

Professional Jobs

Jobs in this group usually require completion of a recognised Bachelor Degree,
or extensive relevant experience. Some jobs also require post-graduate study,
such as a Graduate Certificate, Graduate Diploma or Master Degree.

Study requirements

At school, you can study these subject(s) to get a good foundation for this
occupation:

Art

School subjects that include some aspect of ART provide a useful background to
these jobs. In some cases an art-related subject is a pre-requisite for entry
to courses that provide the training for the job.

Performing Arts

School subjects that include some aspect of the PERFORMING ARTS provide a
useful background to these jobs. In some cases a performing arts subject is a
pre-requisite for entry to courses that provide the training for the job.

Physics

School subjects that include some aspect of PHYSICS provide a useful
background to these jobs. In some cases a physics-related subject is a pre-
requisite for entry to courses that provide the training for the job.

Duties and tasks of a Film and Television Camera Operator

Film and television camera operators may perform the following tasks:

  • discuss with the director the types of film, video and lenses to be used, as well as focus and distance settings and camera angles
  • select and set up equipment and accessories
  • check that lighting has been organised or set up lights as required
  • view scenes through viewfinders, make final adjustments and photograph scenes
  • monitor equipment during operation
  • move cameras and adjust controls to follow the action of scenes being photographed
  • consult with other technical workers such as light or sound technicians to obtain required results
  • supervise assistants during the production phase.

Specialisations

Director of Photography

A director of photography oversees the lighting and camera crew in the film
production unit. They instruct camera operators on camera set-up, angles,
distance and movement, then signal cues to start and stop filming. After each
day’s filming, the director of photography checks the ‘rushes’ (the scenes
shot that day) and decides whether re-filming is necessary.